A bit of high-brow Friday humor from art genius Glen Baxter.

via [BB-Blog] which, if you haven't visited it yet, you really oughta.
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Notes from an internet addict whose favorite category is "Miscellaneous."
A bit of high-brow Friday humor from art genius Glen Baxter.















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It seems to me that if you're a designer, a proper designer not someone who learnt Photoshop in between phone calls, then design runs through your veins like Pantone 7418. But more than that, it's there in every aspect of life. You can't stop looking at things through your designer eyes. Everything you do is clouded by this thing that lives inside you.Go on over and read his entire post on The Design Disease, just for the sheer pleasure of it.










Hot glass is when you dip into a hot furnace of molten glass with a blowing iron. Pretty much like gathering honey on the end of a spoon. I work with Miles, another assistant, Dave, and with the scale of the work that I've been making you need a team of people to produce this stuff because it's... pretty much physically impossible to control a piece by yourself. So... And it's quite, um, draining physically to roll a piece around. So we do a bit of tag-team work.As you can see from the photo above, Douglass' work is not all done in black and white, though those pieces are the ones that I like best. Perhaps I've been spending too much time over at Black White Bliss!
John Dodelande: Designer, writer, designer, contractor at the 18 years age! onceptor of a yacht-convertible, a armchair-guard-dress, a restaurant with tables elevators, a deliver-magazine, a mini-car, transitory shops, of a collection of mode, a condensed language, a tray meal of suhis to the Frenchwoman, I forget some, here John Dodelande who, at 17 years (it has 18 today of them!) decided to launch its mark of luxury. And you know what? It did it!That particular gem was a description of this (I believe it's a) chair by John Dodelande, who is both a designer and a designer.


The world that I live in is chaotic and densely populated by junk, both collected things and simple rubbish. It’s not a perfect place but it is consistent. Like wise, English homes are usually consistent in their shared irregularities – pokey architectural spaces, weird under-hangs, and unusable corners. I was interested in how a piece of furniture might adapt to and therefore reflect our acceptance of living with these innate problems.One version of Make/Shift was built in the manner of packing crates; these could be used as boxes when moving house, then put in place as shelving units once there.



I am interested in objects, and the vast bulk of objects that we experience have been, at least in part, mass-produced. In this respect, as with my impulse to become a ‘proper designer’, I feel a real impulse to ‘fit’ with the aesthetics surrounding me. However I am also conscious that most of the products that I see today, idealise a world that I doubt I will ever experience, unless through the media. I’m probably doing something wrong, but my house never looks like that, and I think there are probably parallels here with how the fashion industry actively encourages anorexia in women. It might look innocent, but, intentionally or not, a beautiful surface with perfectly rounded corners is a good way to convince a human that he is little more than a contaminant in the product process.I just identify so much with this! I love looking at the magazines, but my life nor my home will ever be showroom pieces. At best, I'm shooting for functional. At least, at this stage of the game. Perhaps things will be different when I'm an adult, working at a real job and living in a real house.



